Altered Sites: On Psychedelic Architecture

‘Altered Sites: On Psychedelic Architecture’ will explore experimental and critical approaches to architectural form through the exploration of built and/or imagined structures as sites of alterity.

The symposium uses notions of psychedelic experience and expansive consciousness to engage with site as a potentially productive form of difference, dynamism, otherness, even the new.

When Dr. Humphry Osmond suggested the term ‘psychedelic’ to Aldous Huxley in 1956, as part of their enthused discussions around the emancipatory usage of hallucinogens, he drew upon the compound etymology of the Greek psykhē [mind] and dēloun [to make visible, to reveal]. Aspects of this conjunction between an interior world and a tangible, external counterpart is at the heart of the symposium’s remit. The meeting point for such a dialogue is proposed as 'architecture', not limited to designed or constructed buildings, but also as a general principle between the structured and the unformed.

The symposium will explore how structures – in buildings, constructed objects, images, writing, creative practices – in which gestures of inversion, reversal, enfolding, involution, projection, expansion, collapse, and so on – remain present within the resultant construction.

An intellectual pioneer in the context of hallucinogenic experience, Huxley occupies a singular place in the founding of West Dean College. It was from Huxley that poet and college founder Edward James sought advice on setting up his utopian educational community as early as 1939, an organisation which continues to support traditional and experimental art and craft practices to this day. James was also inspired by Huxley’s experimentation with psychedelics in relation to his own taking teonanácatl mushrooms in Mexico in 1957.

Surrealism in England 1936 and After Revisited

This two-day online conference aims to explore the diverse and complex legacies of surrealism in art and design practice and theory.

In 1986 Canterbury College of Art (now University for the Creative Arts Canterbury) hosted the symposium and exhibition, Surrealism in England: 1936 and After. The events were primarily organised by Toni del Renzio, the former Head of History of Art and Design at the College. The symposium and exhibition resulted in two publications, the exhibition catalogue which included illustrations, essays and 32 pages of Surrealist poetry and prose including contributions from Roland Penrose and George Melly. The second volume was made up of essays from the symposium by del Renzio and others. Del Renzio’s career as an artist, graphic designer, member of the Independent Group and magazine editor, spanned the disciplines of art and design yet he was consistently interested in the ‘surreal’ as a radical practice. The two-day conference aims to explore the diverse and complex legacies of surrealism in art and design practice and theory.

As we approach almost one hundred years since the first surrealist manifestos, this event at UCA in 2021 revisits the 1986 Symposium, which was itself revisiting the 1936 Surrealist Exhibition in London. We want to explore the multiple re-imaginings of surrealism and its far reaching impact on visual culture, architecture, design and theory. The uncertainty and provocative character of surrealism finds a renewed prescience in the current climate and we want to capture current research on the history and practice of surrealism in Britain. To explore the current sites of Surrealism, whether in architectural theory or in the gallery, particularly given the new Eileen Agar: Angel of Anarchy at the Whitechapel Gallery.

PHASE IV: INTERSECTIONS – ART / ARCHITECTURE

Stephen Lawrence Gallery & Project Space: 10 Stockwell Street, London SE10 9BD

Elements du Dessin Marie-Joseph-Bernard Gaillard, 1844. Image courtesy of L’institut supérieur des arts de Toulouse, Archive

Elements du Dessin Marie-Joseph-Bernard Gaillard, 1844. Image courtesy of L’institut supérieur des arts de Toulouse, Archive

15 Jan – 21 Feb 2020

Phase IV: Intersections – Art / Architecture is an exhibition and symposium bringing together projects, stemming from higher education institutions in England and France, that explore interfaces between art and architecture. 

Phase IV is the fourth and last of a series of exhibitions led by Benet Spencer and Dr David Ryan from Cambridge School of Art, Anglia Ruskin University. The earlier phases saw collaborations, in February 2018, with Institut Supérieur des Arts Toulouse for Phase II – Imagining Architecture; and, in November 2019, with École Supérieure d’Art et de Design Marseille-Méditerranée for Phase III – le Modulor.

The first exhibition, Phase I held in February 2016 at the Ruskin Gallery, Anglia Ruskin University, Cambridge, was developed in conjunction with Réseau Peinture, a project that fosters collaboration between European schools of art and design, initiated by artist Olivier Gourviln from École Supérieure d’Art et Design Grenoble, Valence​.​ 

In the spirit of Réseau Peinture, the project has grown to include parallel areas of research activity. Part of the development of the Phase III exhibition included ARC Modulor, a research project between staff and students which ran at the École Supérieure d’Art in Marseille from November 2018. 

The Phase IV exhibition combines a wide range of artists who have been involved at different steps of the project, including architects and artists from the Stephen Lawrence Gallery series of Art/Architecture exhibitions (held at University of Greenwich’ School of Design between 2014-19). Also featured will be contributors to Outside Architecture, an artist-led collaborative group founded in 2009 by Tim Renshaw, Bernice Donszelmann and Mary Maclean. Phase IV: Intersections – Art / Architecture marks an opportunity to gather these strands of activity, to take stock and evaluate what has become a growing discourse.

Exhibitors

Emmanuelle Castellan; George Charman; Valérie du Chéné; David Coste; Bernice Donszelmann; Flea Folly Architects; Jaime Gili; Olivier Gourvil; Andrew Grassie; Steve Johnson; Chloe Leaper; Mary Maclean; Didier Mencoboni; Suzanne Mooney; Laurent Proux; Tim Renshaw; Felix Robbins; David Ryan; Anna Salamon; Benet Spencer; Aleana Turner; April Virgoe; Daniela Yaneva

SYMPOSIUM

Friday 14th February, 5 – 8 pm: Catalogue Launch & Exhibition Private View

Saturday 15th February, 10 am – 5 pm: Talks and Panel Discussion Symposium presentations from

Benet Spencer: Phase II: Imagining Architecture; Jaimi Gili: ARC Modular; Olivier Gourvil: Réseau Peinture / Phase I 

Panel presentations by

University of Greenwich Galleries: Art/Architecture Series; Outside Architecture. 

WE ARE PUBLICATION

Stanley Picker Gallery: Kingston School of Art, Grange Road, Kingston upon Thames KT1 2QJ

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26 September - 14 December 2019

We Are Publication is an artists’ group that tests innovative forms of contemporary art publishing. Originating at Kingston School of Art’s Contemporary Art Research Centre in 2014, the group consists of a changing constituency of current and past PhD candidates, staff members and invited contributors who share a sense of the possibilities inherent in collaborative research. 

 We Are Publication is a shape-shifting laboratory. Its multi-layered publishing experiments relay the group’s interactions and exchanges. In flux and iterative, the group’s configuration as well as its outputs, signal divergent approaches to jointly conducted research.

 The group has produced speculative publications in the form of a launch event (ICA, London, 2014), a 5-minute video (Stanley Picker Gallery, 2015), the 60-minute radio broadcast Diagram of an Hour (Resonance FM, London, 2016) and a vinyl record documenting the broadcast event (Curved Pressing, 2017). Between 2017 and 2018 We Are Publication produced Notes on a Carpet, a project that took the shape of a handmade rug. In 2018 the carpet was presented alongside a series of readings and performances at Five Years, London, Black Tower Projects, London, Focal Point Gallery’s Unit Twenty-One, Southend-on-Sea and the London Art Book Fair, Whitechapel Gallery. Earlier in 2019 We Are Publication presented the exhibition We.Are.Cut.Upat Pratt Institute, New York. The We.Are.Cut.Up soundscape has been transmitted as part of Radiophrenia, CCA Glasgow in May and will feature on Art Licks Weekend radio station, run in partnership with TACO! and RTM from 17 – 20 October 2019.

 For their exhibition t  h  e      H O L D, We Are Publication will realise a series of interconnected projects expanding on the group’s central preoccupations around cut-up, fragmentation and modes of collective re-composition and assemblage. 

 Over the summer, preparations for We Are Publication’s exhibition at the Stanley Picker Gallery have commenced with the 2nd Thoughts publication project which includes contributions by Jonathan Allen, Holly Antrum, Bill Balaskas, Sarah Bennett, George Charman, Rachel Cattle, Jenna Collins, Ilsa Colsell, Craig Cooper, Edward Dorrian, Volker Eichelmann, Abbe Fletcher, Adam Gillam, Keira Greene, Bruce Haines, Felicity Hammond, Mark Harris, Ayano Hattori, John Hughes, James Irwin, Gareth Jones, Simon Josebury, Marianne Keating, Dean Kenning, Lau Chak Kwong, John Lawrence, Bill Leslie, Anna Lucas, Stine Ljungdalh, Katy Macleod, Rachel Mader, Russell Miller, Christian Newby, Louis Nixon, Tom O’Dea, Alex Pollard, Elizabeth Price, Mónica Rivas Velásquez, Joey Ryken, Daniel Shanken, Andrea Stokes, Stephen Sutcliffe, Charlotte Warne Thomas, Andy Tam, Erika Tan, Mandy Ure, Sebastian Utzni, Roman Vasseur, Mark Aerial Waller, Steven Warwick, Matt Williams.


SITE WORK

Experimental Gallery. Olive Tjaden Hall, Cornell University, Ithaca. NY

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February 18-22 2019

In early February of 1969 Willoughby Sharp asked 9 artists to use the Andrew Dickson White Museum ofArt (now Herbert F. Johnson Museum of Art) as a point of departure for their new way of conceptualising and making work; one often Inextricably tied to the material of the soil itself. In doing so Earth Art became the first exhibition at an American museum to engage with artworks that asked viewers to look beyond traditional art objects and the institutional frame and look instead to the frame of experience.

Celebrating the 50 year anniversary of this visionary exhibition, Site Work brings together 13 contemporary artist s that represent a continuation of that dialogue. Working across mediums the pieces use sound, labor, duration, and gesture to evoke particular moments, processes, and landscapes that challenge our conception of being present in space. Site Work illustrates the persistence of questions about the discourse between art object, experience, and activism, especially as lenses for how we relate to, and occupy our environment in uncertain times.

Curated by Sophia Starling and Emma Ulen-Klees

Luke Hart | Sheenagh Geoghegan | Hannah Rowan | George Charman | Adeline de Monseignat | Tamsin Relly | Bruno Cançado | Sophia Starling | Emma Ulen-Klees | Dan Torop | Leah Capaldi | Hunter Buck | Trackingshot


TRACKINGHSHOT 1. DESERT SESSIONS

Focal Point Gallery: Big Screen Southend

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4 November 2017 | Preview event Saturday 4 November 6-8pm

Please join us at Focal Point Gallery for a weekend of broadcasts on Big Screen Southend from Trackingshot, a site responsive collaborative project by artists Rebecca Birch, Leah Capaldi, George Charman and Adam Knight. In partnership with Field Broadcast

Trackingshot investigates frontier spaces through art practice and cross-disciplinary research

The first broadcast will screen at 9.30am on Saturday 4 November. Please join us for drinks on Saturday between 6-8pm where a cluster of 5 broadcasts will be screened

This event marks the launch of the Trackingshot online archive where broadcasts from Desert Sessions will be freely available to stream. Over 24 hours across November 4-5, all the broadcasts will be screened on Big Screen Southend, at the time they were originally broadcast in the UK back in April 2017. A publication of three specially commissioned essays, produced in response to the broadcast, by Jonathan Griffin, Ellen Mara De Wachter and Chris Fite-Wassilak, will accompany this event

TOOLS FOR THE FUTURE

Gerald Moore Gallery

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6 May – 10 June 2017 | Preview 6 May, 12-4pm

TOOLS FOR THE FUTURE is a site-responsive sculptural project for Gerald Moore Gallery exploring relationships between philosophical aesthetic enquiry and kinesthetic learning.

A term used by sculptor Constantin Brancusi to describe objects with embodied potential, TOOLS FOR THE FUTURE utilizes the gallery space and the objects installed within it as a working studio. The gallery space deviates from its default function of display, towards a more active function. Its spaces become a ‘public tool’ supporting engagement – socially, conceptually and critically – used for the duration of the project as a site for participation, collaborative learning and site for material experimentation in which sculpture and making becomes the stimulus for philosophical aesthetic enquiry.

Throughout the project, the gallery/studio plays host to a series of philosophical enquiry workshops, engaging with school groups associated with the Gerald Moore Gallery, initiated by artists George Charman and Jake Garfield. Philosophical discussions and practical workshops that take place in the studio during the project will support research and development toward a proposed ‘conversation pit’ (a social space for public use) to be sited in the Gerald Moore Gallery garden in summer 2017.

TRACKINGSHOT

Desert Sessions

LIVE April 8-21 2017

TRACKINGSHOT is a site responsive collaborative project exploring frontier spaces. Trackingshot artists are Rebecca BirchLeah CapaldiGeorge Charman and Adam Knight.

Artists will be located in the Mojave Desert in April 2017. Over two-weeks (April 8-21) they will broadcast live artworks daily, in collaboration with Field Broadcast, directly to your desktop or phone as a transmitted interruption. To receive the broadcasts download and install the TRACKINGSHOT receiver software. Once installed the app waits quietly until the artwork is broadcast, when a live video stream will open, unannounced, on your computer or phone. For best experience we recommend the desktop app.

Associate collaborators Jonathan GriffinEllen Mara De Wachter and Chris Fite-Wassilak will contribute texts in response to the broadcasts. These essays will be archived and freely available from May 2017 via this website. Enroute to the Mojave Desert the artists will embark on an investigative road trip exploring the relationship of the desert to the body, time and production, gathering field notes and interview transcripts which will also be published here.

Formwork

dalla Rosa Gallery

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4 November - 3 December 2016 | Preview 4 November 6.30-8.30pm

The concrete of modern buildings and infrastructures does not exist prior to the arrival of the constituent ingredients, cement, sand, aggregate, steel, at one place - a building site, or a casting factory - and it is only at the moment when human labour combines them together that they become concrete. In this respect, concrete can be more accurately described as a process than as a material.

Adrian Forty, Concrete and Culture, 2012

FORMWORK inaugurates a series of two-person exhibiitons hosted by dalla Rosa with the aim of creating a dialogue between artists that have not previously worked together but share similar interests and influences. George Charman and Tom Hackney are both based in London and have been exploring the possibilities of concrete while developing other sides of their practices, specifically drawing (Charman) and painting (Hackney). The fascination with materials and processes is a clear trait d’union that runs through their work, together with an interest in perception modelled on grids and repetition

Made In Thamesmead

One Eye Closed Onto The World

 16 September – 18 September 2016 | 10-4pm

George Charman and Jessie Brennan present installations in a vacant flat. George will transform a room into a camera obscura projecting the view outside onto the interior walls. Jessie begins a long-term project that seeks to engage residents in their experiences of life in the area and presents new work, including graphite rubbings of doormats.

Flat 42 Coralline Walk, Thamesmead, SE2 9ST

Terra Incognita

The Gerald Moore Gallery

George Charman: Residency Studio, Eltham College 2016

George Charman: Residency Studio, Eltham College 2016

20 May – 25 June 2016 | preview: 20 May 4-6pm

Gerald Moore Gallery is pleased to present Terra Incognita, a new body of site-responsive works-in-progress by current artist in residence George Charman, presenting developmental research investigating connections between philosophical aesthetic enquiry and kinesthetic leaning. This exhibition forms part of an on-going study into objects/materials with embodied potential as ‘tools’ for engagement – socially, conceptually, critically and spatially.

Open Saturday 12-4pm and by appointment                                                                        

Gerald Moore Gallery: Mottingham Lane,London SE9 4RW

The Residents

Eistentrager-Howard Gallery: University of Nebraska-Lincoln

 Untitled 2011 George Charman

 

Untitled 2011 George Charman

11 March – 26 March 2016 | Private view: 11 March 5-7pm

Andrew Auble | Anke Becker | George Charman | Renee Couture | Joy Christansen Erb | Michael Frels | Matthew Jensen | Mari LaCure | Andres Laracuente | Marcie Lenke | David Linneweh | Seung Jae Kim | Desiree Moore | Rose Nestler | Kristina Paabus | Sarah Phillips | Kristen Pluhacek | Michaela Ross | Fillippo Santoro | Sarah Sharp | Steve Snell | Troy Stanley | David Samuel Stern | Trudie Teijink | Kimberly Thomas | Breanne Trammell | Melanie Vote | Jave Yoshimoto | Andrew Zimmerman | Deborah Zlotsky

120 Richard Hall, Lincoln NE 68588-0114

 

Phase 1

Ruskin Gallery: Anglia Ruskin University 

 Untitled 2014 George Charman

 

Untitled 2014 George Charman

04 February – 20 February 2016 | Private view: 04 February 5-8pm

Phase 1 is an international drawing exhibition featuring artists from France, USA and the UK, and is developed as part of Réseau Peinture, an international research project and collaboration between European, US and UK art schools. Focusing on contemporary painting practices, Réseau Peinture was initiated by Oliver Gourville, from the École Supéireure d'Arts et Design Grenoble - Valence. The exhibition takes as its starting point an analogy between the architectural construct and the idea and nature of the working study or projection: notation, blueprint, as well as the various technological meditations that enable the translation from idea to realization, with drawing as a central component.

Phase 1 is conceived as the first series of events that will build on the theme of art-architecture relationships, which will be developed as part of Réseau Peinture

Curated by David Ryan and Benet Spence

Exhibiting artists: Miguel Angel Molina | Juan Bolivar | Audrey Buchot | George Charman | Tim Ellis | Jamie Gill | Olivier Gourvil | Justin Hibbs | Michael Irwin | Chloe Leaper | Didier Mencoboni | Quentin Montagne | Tim Renshaw | David Ryan | Anna Salamon | Benet Spencer | Marjorie Welish

Ruskin Gallery, Anglia Ruskin University, East Rd, Cambridge, CB1 1PT 

Edward James in Mexico Symposium: History, Context, Legacy

West Dean College

 Untitled 2015 George Charman

 

Untitled 2015 George Charman

Saturday 24th October 2015, 09:00-17:00

Speakers: Umberto Bellardi Ricci | George Charman |  | Mathew Holmes | Dr David R Stent | Francesco Manacorda | Joanna Moorhead | Dr. JoannA Pawlik | Ingrid Gonzalez 

Edward James in Mexico: History, Context, Legacy’ is a one-day symposium organised by West Dean College with support from the Edward James Foundation. The symposium will consider the impact Mexico had on James’s life and work, from his earliest visits to the country in 1944 until his death forty years later. The impact of James’s activities in Mexico are yet to be fully explored, in respect to their influence on his ideas, his relations with other artists and craftspeople, and with Mexican culture. Papers from a variety of guest speakers will address a range of subjects, from the creation and impact of ‘Las Pozas’ in Xilitla to James’s enduring friendships with artists associated with Mexico, such as Leonora Carrington. The event will also consider activities preceding James’s presence in Mexico, proposing precursors and associations for his later works, including the ‘Footprint Carpet’ commissioned in 1933 and the unrealised ‘Artichoke House’ design from 1936.

The Old Library, West Dean College: West Dean, North Chichester, West Sussex PO18 0QZ

Abstraction From Architecture

Edinburgh Printmakers  

 Overlay 1 2015 George Charman

 

Overlay 1 2015 George Charman

12 September – 24 October 2015 | Private View: 11 September 6-8:30pm

Edinburgh Printmakers invites you to join us to celebrate the launch of our new group exhibition curated by Bronwen Sleigh and including work by George Charman, Andrew Mackenzie, Carla Scott Fullerton and Bronwen Sleigh.

Gallery Talk | Saturday 12 September 2015, 2-3pm, Free but ticketed Curator Bronwen Sleigh and participating artists George Charman and Andrew Mackenzie will discuss their work in the exhibition.

Edinburgh Printmakers presents an exhibition of new and recent works by four contemporary British artists curated by artist Bronwen Sleigh. Abstraction from Architecture features work by artists who display an interest in architectural structures, surfaces, materials and forms. Working between printmaking, drawing, sculpture and installation, each artist’s work is an intimate and often personal exploration of these interests as they begin to make sense and be attentive to the ways in which man-made structural forms can affect the way we function, and shape the way we see and experience space. This exhibition includes new work commissioned and published by Edinburgh Printmakers.

Open Tuesday to Saturday 10am - 6pm Closed Monday and Sunday. Admission is free. 23 Union Street, Edinburgh, EH1 3LR

neo:artprize 2015

neo:artprize2015

 The Great Good Place 2 2013 George Charman

 

The Great Good Place 2 2013 George Charman

27 August – 1 November 2015

Private View: Saturday 29 August, 2 pm

neo:artprize2015 is selected by: Ian Davenport, Artist; Amira Gad, Exhibitions Curator, The Serpentine Galleries, London; Margot Heller, Director, South London Gallery (SLG); Helen Pheby, Senior Curator, Yorkshire Sculpture Park (YSP).

neo:gallery27, Bolton, Greater Manchester, United Kingdom

Blind Spot

The Foundry Gallery

 Blind Spot 2014 George Charman 

 

Blind Spot 2014 George Charman 

30 April – 04 June 2015

Private View: Wednesday 29 April, 6-8pm

The Foundry Gallery is please to present a site-responsive installation by George Charman, staging five variations of space determined by the quincunx grid by. Each week a new configuration of black and silver aluminium chains are re-installed creating a series of temporary permeable screens that reconfigured the perspectival reading and navigation of space. The tonal/spacial shift produced by the semi-transparent overlay of geometric shapes is mirrored in a series of drawings exhibited alongside the screens. The overlay of plains, both physical and abstract offer a dwelling space between materials, within the image/object.  

The Foundry Gallery 39 Old Church Street, London SW3 5BS 

From A Studio Exchange

Acme Project Space

 Untitled 2014 George Charman 

 

Untitled 2014 George Charman 

8 January – 25 January 2015

Private view: Thursday 8 January 2015

From a Studio Exchange brings together work by six artists -Briony Anderson, George Charman, Bridget O’Gorman, Maria McKinney and We Colonised the Moon (Hagen Betzwieser and Sue Corke) - who participated in an international work/live exchange in 2013 and 2014 between Acme Studios’ Fire Station live/work programme, London and the Fire Station Artists’ Studios, Dublin. 

Acme Project Space: 44 Bonner Road E2 9JS

Time To Hit The Road

Leila Heller Gallery

 Tracking Shot Preview 7 2014 George Charman

 

Tracking Shot Preview 7 2014 George Charman

18 December 2014 – 10 January 2015

Private view: 18 December 2014

Leila Heller Gallery is pleased to present Time To Hit The Road, a group exhibition curated by Alex Gerson and Matteo Zevi. This is the first show in New York City featuring works by artists who participated in Gerson and Zevi’s Land Art Road Trip residency in the summers of 2013 and 2014. This trip is a traveling, immersive, residency program exploring works by pioneering Land Artists throughout the Southwestern United States. 

568 West 25th Street NYC USA

Tiny Lag

Acme Project Space

 Whether Roses or Triangles, Mountaintops or Hexagons 2014 George Charman  

 

Whether Roses or Triangles, Mountaintops or Hexagons 2014 George Charman 

 

28 November – 21 December 2014

Private View: Thursday 27 November, 6-8pm

Tiny Lag is a two person exhibition by George Charman & Adam Knight at Acme Project Space, London. The exhibition title is taken from an essay of the same name by Mladen Dolar. Referencing Wittgenstein, Dolar examines the borders of language on experience. In this instance the border becomes a conceptual marker of limitation and permission. The exhibition presented a series of recent works that engages with 'the screen' as a kind of boarder used to divide the exhibition space through varying axes of installation, video, drawing, sound, writing and sculpture. A limited edition publication has also been produced in conjunction with the exhibition.  

Acme Project Space: 44 Bonner Road London E2 9JS